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Ghana

Perhaps the most visible (and most marketable) cultural contribution from modern Ghana is Kente cloth, which is widely recognized and valued for its colors and symbolism. Kente cloth is made by skilled Ghanaian weavers, and the major weaving centers in and around Kumasi (Bonwire is known as the home of Kente, though areas of Volta Region also lay claim to the title) are full of weavers throwing their shuttles back and forth as they make long strips of Kente. These strips can then be sewn together to form the larger wraps which are worn by some Ghanaians (chiefs especially) and are purchased by tourists in Accra and Kumasi. The colors and patterns of the Kente are carefully chosen by the weaver and the wearer. Each symbol woven into the cloth has a special meaning within Ghanaian culture.

Kente is one of the symbols of the Ghanaian chieftaincy, which remains strong throughout the south and central regions of the country, particularly in the areas populated by members of the culturally and politically dominant Ashanti tribe. The Ashanti's paramount chief, known as the Asantehene, is perhaps the most revered individual in the central part of the country. Like other Ghanaian chiefs, he wears bright Kente, gold bracelets, rings and amulets, and is always accompanied by numerous ornate umbrellas (which are also a symbol of the chieftaincy itself). The most sacred symbol of the Ashanti people is the Golden Stool, a small golden throne in which the spirit of the people is said to reside. It is kept in safekeeping in Kumasi, the cultural capital of the Ashanti people and the seat of the Asantehene's palace. Though the chieftaincy across Ghana has been weakened by allegations of corruption and cooperation with colonial oppression, it remains a very vital institution in Ghana.

Because of its location, the northern regions of Ghana exhibit cultural ties with other Sahelian countries such as Burkina Faso, Mali and northern Nigeria. Although not being indigenous tribes to the area, there is strong Hausa and Mande influence in the culture of the northern Ghanaian peoples. The dominant tribe in this part of Ghana are the Dagomba. Northern Ghanaians are known for their traditional long flowing robes and distinct musical styles from southern and central regions. Tuo Zaafi, made from pounded rice, is a specialty from this region which has successfully become a staple across Ghana. The Larabanga mosque in Larabanga is the oldest mosque in Ghana and one of the oldest in West Africa, dating from the 12th century. It is an excellent example of the Sudanese Architecture style, of which other examples include the Djenné Mosque in Mali and the Grand Mosque in Agadez, Niger.

Famous Ring of Honor wrestler Prince Nana is a legitimate prince from Ghana. American soccer player Freddy Adu was also born in Ghana.

After Independence, the Ghanaian music scene flourished, particularly the up-tempo, danceable style known as highlife, which is still played consistently at the local clubs and bars, often called spots. Many Ghanaians are adept drummers, and it is not unusual to hear traditional drum ensembles play at social events or performances. On another note, Rita Marley, wife of the late Bob Marley, resides in Ghana. Hiplife, another genre of music in Ghana is now in stiff competition with the more established highlife for airplay on local radio stations and nightclubs. A movement that started in the mid 90s, hiplife is effectively a Ghanaian version of hip hop rap music, with raps basically in the local dialects, Twi being the most prevalent. Hiplife in present day Ghana arguably represents youth culture in general. Slowly but surely hiplife is surpassing "western music" in terms of airplay, whereas ten years ago the opposite was true. It is the most significant addition to Ghanaian culture in decades.